Embroidery as a Source of Palestinian Identity

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Among the many turmoil and tragedy of current Palestinian existence, the great thing about Palestinian embroidery is like a ray of light that brings a smile to most people’s faces. Whether or not one resides in Palestine or wherever else around the globe, it is a source of nice satisfaction and pleasure that one incorporates into one’s life, whether or not as pillows and wall hangings to decorate a house, Embroidered tops a traditional dress to wear at special parties, a sublime night jacket, or a priceless reward to offer a friend. As old workshops and younger designers find new methods to introduce Palestinian embroidery into elegant modern wear, the survival of this treasured heritage is perpetuated and strengthened.

Though some particular person options of Palestinian costume and embroidery are shared with elements of textile arts of neighboring Arab international locations, the Palestinian fashion has its special uniqueness that is easily acknowledged by textile artwork fans all around the world. Most books on worldwide embroidery current Palestinian traditional costume and embroidery as the prime instance of Middle Jap embroidery, affirming its worldwide fame.

How did this artwork kind develop? Really, a examine of the development of the traditional Palestinian costume by way of the ages proves that this traditional costume contains historical data that paperwork centuries of textile-art development within the region, an art type that has one way or the other amazingly survived to this day. Whether one research the traditional traditional simple lower of the thobe, the history of the headdresses and accessories, the wonderful variety of kinds of embroidery, the types of stitches, or the traditional origins of its patterns and motifs, one is deeply impressed with the historical richness of this legacy that dates back 1000’s of years, and which affirms the antiquity of Palestinian existence and roots, and the survival of its historical heritage.

The fantastic thing about the Palestinian costume style had its affect on Europeans ranging from at the very least the tenth to twelfth centuries AD, through the Crusades. Arab kinds were copied in Europe, as documented by a number of European historians. The robust trade between the Arab world and Europe in the course of the thirteenth to the sixteenth centuries AD, through the European Renaissance, was another example of the spread of Arab textiles and embroidery to Europe. This resulted in Arab embroidery patterns being copied into European sample books beginning in 1523 in Germany, utilizing the newly discovered printing press, and spreading rapidly by way of translated variations to Italy, France, and England. Ranging from the eighteenth century, Europeans touring the Center East described the beauty of Palestinian costume and embroidery, and took embroideries back house as souvenirs, considering them non secular artifacts from the Holy Land. In his book History of Folks Cross Sew (1964), the historian Heinz Kiewe presents a chapter on “Ancient cross stitch symbols from the Holy Land,” in which he confirms his “perception within the frequent, Palestinian source of those designs” utilized in European folk embroideries, because the patterns used in Palestinian traditional dresses have been considered of non secular significance and copied into European folks embroidery over the past a number of centuries for that reason. He mentions, for example, primary Palestinian patterns such because the eight-pointed star and reesh(feathers), whose acquired European names turned Holy Star of Bethlehem and Holy Keys of Jerusalem. Kiewe additionally mentions the switch of Palestinian embroidery patterns to Europe by St. Francis of Assisi and their use in church embroideries, which had been recopied within the nineteenth century by the embroidery workshops of Assisi, whose embroidery type grew to become well-known throughout Europe. In the early-nineteenth century, a number of European missionary teams collected Palestinian costumes and embroideries for display in Europe, normally for church exhibits. These collections ultimately found their method into important European museums and signify some of the oldest extant items of Palestinian embroidery.